Essay on crime and punishment by fyodor dostoevsky

Pay only for approved parts Crime and Punishment Essay: For years, this psychological and philosophical novel has been analyzed from cover to cover by thousands of critics, professors, and students.

Essay on crime and punishment by fyodor dostoevsky

After his release from penal servitude, Dostoevski published novels, short stories, novellas, and journalistic pieces, but none of these brought him the critical and popular acclaim which in greeted Crime and Punishment—possibly his most popular novel.

Essay on crime and punishment by fyodor dostoevsky

Indeed, Dostoevski himself made such an evaluation possible by keeping detailed notebooks on the development of his novels and on his problems with fleshing out plots and characters.

Chastened by his imprisonment and exile, Dostoevski shifted his position from the youthful liberalism certainly not radicalism that seemed to have precipitated his incarceration to a mature conservatism that embraced many, perhaps most, of the traditional views of his time.

Thus, Dostoevski came to believe that legal punishment was not a deterrent to crime because he was convinced that criminals demanded to be punished; that is, they had a spiritual need to be punished.

Crime and Punishment - Wikipedia

Today, that compulsion might be called masochistic; but Dostoevski, in his time, related the tendency to mystical concepts of the Eastern Orthodox Church. With a skeptical hostility toward Western religion and culture, born of several years of living abroad, Dostoevski became convinced that the Western soul was bankrupt and that salvation—one of his major preoccupations—was possible only under the influence of the church and an ineffable love for Mother Russia, a devotion to homeland and to the native soil that would brook neither logic nor common sense: Thus, expiation for sins was attained through atonement, a rite of purification.

The required expiation, however, is complicated in Crime and Punishment by the split personality—a typically Dostoevskian ploy—of the protagonist. The schizophrenia of Raskolnikov is best illustrated by his ambivalent motives for murdering the pawnbroker. He does intend to atone for his misdeed by subsequently living an upright life dedicated to humanitarian enterprises.

Raskolnikov, however, shortly becomes convinced of his own superiority. He intends to prove his superiority by committing murder and justifying it on the basis of his own superiority.

This psychological configuration is common enough, but, unlike most paranoid schizophrenics, Raskolnikov carries his design through—a signal tribute to the depth of his convictions.

The results are predictably confusing. Is it justifiable to commit an atrocity in the name of improvement of the human condition? This essential question remains unanswered in Crime and Punishment; Raskolnikov, egocentrically impelled by pride, cannot decide whether or not he is superior, one of those supermen entitled to violate any law or any principle to serve the cause of ultimate justice, however justice might be construed.

He added, however, that he was not a psychologist but a novelist. He was thus more concerned with consequences than with causality.

This carefully planned novel therefore expands upon a philosophical problem embodied in the protagonist. The philosophical problem in Crime and Punishment constitutes the central theme of the novel: The protagonist finally has to concede that free will is limited.

He has to discover and admit that he cannot control and direct his life solely with his reason and intellect, as he tried to do, for such a plan leads only to emptiness and to sinful intellectual pride. Abstract reason takes the place of a fully lived life and precludes the happiness of a fully lived life; happiness must be earned, and it can be earned only through suffering.

Thus, Raskolnikov has to learn that happiness is achieved through suffering—another typically Dostoevskian mystical concept. In this way, Raskolnikov demonstrates the basic message of Crime and Punishment: Artistically, however, the epilogue is somewhat less than satisfactory.

Such a conclusion would have been psychologically sound. For the sophisticated reader, however, it does not greatly detract from the powerful psychological impact of the novel proper or diminish the quality of a genuinely serious attempt to confront simultaneously a crucial social problem and a deeply profound individual, human one.Christianity in Crime and Punishment While reading Crime and Punishment, by Fyodor Dostoevsky, the notion that it is a novel about Christianity seems absurd at first.

Its central story focuses on revenge, murder and punishment – ideals contrary to Christian beliefs.

Fyodor Dostoevsky's "Crime and Punishment" | Essay Example

Crime and Punishment was Fyodor Mikhailovich Dostoevski’s first popularly successful novel after his nine-year imprisonment and exile for alleged political crimes (the charges were of doubtful.

Fyodor Dostoevsky headquarters - all about the great Russian author of Crime and Punishment and The Brothers Karamazov. The site contains forums, books, essays, a biography, a bibliography, quotes and pictures dedicated to Dostoevsky. Fyodor Dostoevsky headquarters - all about the great Russian author of Crime and Punishment and The Brothers Karamazov.

The site contains forums, books, essays, a biography, a bibliography, quotes and pictures dedicated to Dostoevsky. The Significance of Lazarus’s Resurrection In the Russian novel Crime and Punishment by Fyodor Dostoevsky, the main character, Raskalnikov goes through a vast .

Crime and Punishment was Fyodor Mikhailovich Dostoevski’s first popularly successful novel after his nine-year imprisonment and exile for alleged political crimes (the charges were of doubtful.

Raskolnikov: A Dual or Split Personality