James was born and raised in Akron, Ohiowhere he received national attention as a high school basketball star at St. James became an unrestricted free-agent at
Previously, almost no criticism of the media reached the public, except for some of the complaints of business interests and conservatives.
The media controlled the "means of communication" and it used that power to censor virtually all discussion of its own role in shaping events But now -- at last -- we are starting to get some public debate over the way the media manipulates public opinion and routinely creates fictions that masquerade as facts.
The change has taken place in large measure because the media itself has become so powerful and so out of control, there is no longer any way for it to keep what it is doing under wraps.
Ironically, one of the voices that is being raised against it is none other than that of the ultimate media machine, Hollywood. While celebrities take on the tabloid photographers who follow them around, the movie and television industry is giving us depictions of venal reporters and scheming entertainment conglomerates, which pull no punches when it comes to revealing how amoral our culture industry has become.
Recently, there have been two important examples of this trend. In the flawed but interesting movie, Bulworth, Hollywood has given us a depiction of a politician who challenges the phony world of media-politics by offering bluntness in place of rhetorical manipulation.
In the brilliantly-conceived and imperfectly executed satire, The Truman Show, it shows us a character who also challenges -- and ultimately escapes from -- a contrived world that is an invention of media. Both movies have the same message: As most people know by now, The Truman Show conveys this message by depicting a series of fateful events in the life of Truman Burbank, played by Jim Carrey who has grown up, and lives, in a fake town full of actors.
The town is enclosed in a giant dome decked out with high-tech simulations of sun and sky, in which the rain and wind are courtesy of the special effects department. Truman alone has no idea he is in a giant TV studio, as the rest of humanity watches him go from one staged situation to another in a nonstop telethon of reality programming that lets audiences enjoy a little pathos and vicarious emotion.
But into this ersatz paradise, there inevitably appears a snake. After the crew makes mistakes that cause the seamlessness of the illusion to break down, Truman figures out that his surroundings are full of staged scenes and events. He then tries to make his escape, only to come up against both his own fears, which keep him from leaving, and the obstacles put in his way by the producer-director who has made billions trapping him in a stage set and playing God with his life.
Thus does the movie offer us a metaphor for our own situation. The fake landscape Truman lives in is our own media landscape in which news, politics, advertising and public affairs are increasingly made up of theatrical illusions.
Like our media landscape, it is convincing in its realism, with lifelike simulations and story lines, from the high-tech facsimile of a sun that benevolently beams down on Truman to the mock sincerity of the actor he mistakenly believes is his best friend. It is also rewarding and masquerades as something benevolent.
And it is seamless -- there are almost no flaws that give away the illusion -- at least until things start to go wrong. Truman's fear of leaving this invented world, once he realizes it is a fraud, is similarly like our own reluctance to break our symbiotic relationship with media.
His growing suspicion that what he is seeing is staged for his benefit is our own suspicions as the media-fabricated illusions around us begin to break down. And the producer-director of this stage-set world, who blocks Truman's effort to escape, is the giant media companies, news organizations, and media-politicians that have a stake in keeping us surrounded by falsehood, and are prepared to lure us with rewards as they block efforts at reforming the system.
What gives this metaphor life is the way the movie depicts two attitudes we routinely take toward media. In one, we are absorbed by it; we accept its rendition of reality because it occupies our view.
We are like children whose parents define their world. The lifelikeness and seamlessness of media fabrications and the fact that they are entertaining, help induce this attitude in us.Hello! My favourite reality show is "Heads and Tails".
Every weekend, the two presenters go to different cities in the world. According to the rules of program one of them has to live two days with only $, while the second has unlimited amount of money, which located on the golden card. Many years ago, when I first started to work in the advertising industry, we used to have this thing called The Overnight Test.
It worked like this: My creative partner Laurence and I would spend the day covering A2 sheets torn from layout pads with ideas for whatever project we were currently engaged upon – an ad for a new gas oven, tennis racket or whatever. Longtime Republican Caitlyn Jenner supported Donald Trump’s bid for president in and has stuck with him through controversies such as the Muslim travel ban and the repeal of the Affordable.
Avital Norman Nathman is a former teacher and lifelong learner turned freelance writer. Her work, which places a feminist lens on a variety of topics, including motherhood, gender, reproductive justice, and reproductive health, has been featured in Bitch magazine, Bamboo Family Magazine, The New York Times, CNN, plombier-nemours.com, RH Reality Check, Offbeat Mama, and more.
The Decision was a television special in which National Basketball Association (NBA) player LeBron James announced that he would be signing with the Miami Heat instead of returning to his hometown Cleveland plombier-nemours.com was broadcast live on ESPN on July 8, James was an unrestricted free agent after playing seven seasons in Cleveland, where he was a two-time NBA Most Valuable Player .
From its suspenseful car-chase opening to its climactic verdict, the O.
J. Simpson trial had all the makings of a reality-TV hit. Lili Anolik reports.