Merchant of venice as a romantic comedy

Get Full Essay Get access to this section to get all help you need with your essay and educational issues. Get Access The Merchant of Venice: Romantic comedy was a popular and much-preferred type in Elizabethan theatre, and all the trappings of such are present in The Merchant of Venice.

Merchant of venice as a romantic comedy

Antonio — a prominent merchant of Venice in a melancholic mood. Bassanio, a young Venetian of noble rank, wishes to woo the beautiful and wealthy heiress Portia of Belmont.

Having squandered his estate, he needs 3, ducats to subsidise his expenditures as a suitor. Bassanio approaches his friend Antonioa wealthy merchant of Venice who has previously and repeatedly bailed him out. Antonio agrees, but since he is cash-poor — his ships and merchandise are busy at sea to Tripolisthe IndiesMexico and England — he promises to cover a bond if Bassanio can find a lender, so Bassanio turns to the Jewish moneylender Shylock and names Antonio as the loan's guarantor.

Antonio has already antagonized Shylock through his outspoken antisemitism and because Antonio's habit of lending money without interest forces Shylock to charge lower rates. Shylock is at first reluctant to grant the loan, citing abuse he has suffered at Antonio's hand.

He finally agrees to lend the sum to Bassanio without interest upon one condition: Bassanio does not want Antonio to accept such a risky condition; Antonio is surprised by what he sees as the moneylender's generosity no "usance" — interest — is asked forand he signs the contract.

With money at hand, Bassanio leaves for Belmont with his friend Gratiano, who has asked to accompany him. Gratiano is a likeable young man, but he is often flippant, overly talkative, and tactless. Bassanio warns his companion to exercise self-control, and the two leave for Belmont.

Meanwhile, in Belmont, Portia is awash with suitors. Her father left a will stipulating each of her suitors must choose correctly from one of three caskets — made of gold, silver and lead respectively.

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Whoever picks the right casket wins Portia's hand. The first suitor, the Prince of Morocco, chooses the gold casket, interpreting its slogan, "Who chooseth me shall gain what many men desire", as referring to Portia. The second suitor, the conceited Prince of Arragon, chooses the silver casket, which proclaims, "Who chooseth me shall get as much as he deserves", as he believes he is full of merit.

Both suitors leave empty-handed, having rejected the lead casket because of the baseness of its material and the uninviting nature of its slogan, "Who chooseth me must give and hazard all he hath".

The last suitor is Bassanio, whom Portia wishes to succeed, having met him before. Shylock has become more determined to exact revenge from Christians because his daughter Jessica eloped with the Christian Lorenzo and converted.

She took a substantial amount of Shylock's wealth with her, as well as a turquoise ring which Shylock had been given by his late wife, Leah. Shylock has Antonio brought before court.

At Belmont, Bassanio receives a letter telling him that Antonio has been unable to repay the loan from Shylock. Portia and Bassanio marry, as do Gratiano and Portia's handmaid Nerissa. Bassanio and Gratiano leave for Venicewith money from Portia, to save Antonio's life by offering the money to Shylock.

Unknown to Bassanio and Gratiano, Portia sent her servant, Balthazar, to seek the counsel of Portia's cousin, Bellario, a lawyer, at Padua. The climax of the play takes place in the court of the Duke of Venice. Shylock refuses Bassanio's offer of 6, ducats, twice the amount of the loan.

He demands his pound of flesh from Antonio. The Duke, wishing to save Antonio but unable to nullify a contract, refers the case to a visitor. He identifies himself as Balthasar, a young male "doctor of the law", bearing a letter of recommendation to the Duke from the learned lawyer Bellario.

The doctor is Portia in disguise, and the law clerk who accompanies her is Nerissa, also disguised as a man. As Balthasar, Portia repeatedly asks Shylock to show mercy in a famous speechadvising him that mercy "is twice blest: It blesseth him that gives and him that takes" IV, i, However, Shylock adamantly refuses any compensations and insists on the pound of flesh.

As the court grants Shylock his bond and Antonio prepares for Shylock's knife, Portia deftly appropriates Shylock's argument for "specific performance".Shylock, the Jewish moneylender in Shakespeare’s comedy The Merchant of Venice.

Shylock is a grasping but proud and somewhat tragic figure, and his role and Shakespeare’s intentions continue to be the source of much discussion.

The Merchant of Venice is a romantic comedy. It is a comedy in the broadest sense of the term: nobody dies and the play has a happy ending. Though it can be dark at times, humorous moments.

Merchant of venice as a romantic comedy

The various characteristics of Romantic comedies are present in ‘The Merchant of Venice’. The leading themes of most of these plays were Love and Friendship.

These comedies were an exposition of Love and its manifold modifications. And on one level ‘The Merchant of . Romantic comedy was a popular and much-preferred type in Elizabethan theatre, and all the trappings of such are present in The Merchant of Venice.

First, the romantic involvement is represented not by one couple only, but by three (Portia and Bassanio, Gratiano and Nerissa, and Jessica and Lorenzo). ‘Merchant of Venice’ a romantic comedy with powerful themes Group’s production “The Merchant of Venice” as part of Shakespeare in the Park.

there’s a romantic comedy plot that. The Merchant of Venice as a Romantic Comedy - Critical Analysis Words Sep 25th, 7 Pages We can trace the origin of Comedy to Dionysis- the Greek God of Wine who was hilarious, satirical and irreverent in spirit.

English Resources: THE MERCHANT OF VENICE - ROMANTIC COMEDY?